Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab.
Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab.
Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab.
MFA, Yale University, New Haven, CT.
Film Studies at Yale University, New Haven, CT.
BFA, School of Visual Arts SVA, NY.
La Esmeralda, Centro Nacional de la Artes CNA, Mexico.
Birds, Water & Fireworks, Share your Silence by Pavalli Paul, (Re-) Gaining Ecological Futures, Berlin, Germany 2021.
Crest of the Wave, “50 Mujeres, 50 Años, 50 Obras”, Museo de la Ciudad de México, Mexico 2020.
Video Installation, “Miradas a la Ciudad”, Urbanism & Research, Museo de la Ciudad de México, Mexico City 2019.
Ruinen Der Gegenwart, Contemporary Ruins, KINDL Center for Contemporary Art, Berlin, Germany 2018.
Ruinen Der Gegenwart, Julia Höner & Ludwig Seyfarth, KAI/10 Arthena Foundation, Dusseldorf, Germany 2017.
Natures Cultures, Regine Rapp and Christian de Lutz, Berlin, Germany 2016.
Color of Skin, “Imágenes Para Ver-te, Racismo en América Latina”, Carrillo Trueba, Museo de la Ciudad de México, 2016.
Substantial Influence, “Substanziller Einfluss”, Ludwig Seyfarth, Bayer Foundation, Leverkusen, Germany 2015.
Berlin Water Light, “Frecuencias Residentes”, Video and Sound Installation, Rodrigo Campuzano, Mexico City 2014.
Ruins of the Present, “Ruinen der Gerenwart”, Ludwig Seyfarth, Steinbrener/Dempf & Huber. Vienna, Austria 2014.
Macro Biologies One – Biosphere, Art Laboratory Berlin, Regine Rapp and Christian de Lutz, Berlin, Germany 2014.
Manos Por México, Pedro Freideberg, Fundación Vicente Ferrara, Museo Franz Mayer, Monterrey & México City 2014.
Paisaje Después del Temblor, Teodoro D. Lagunes, Galería Luis Adelantado, Mexico City 2010.
Off Fence: Mexico – US Border, Michelle Chong and Ian Henderson, Art Laboratory Berlin, Germany 2010.
Emplazamientos, Project for Public Space and Urbanism, Guillermo Santamarína, Canada – Mexico 2009.
Peeping Tom – The Chain, Selected Artist Berlin. Paris 1st Edition, Paris, France 2009.
Sincerity is the New Radical & “truestories.tuesuccess.” Alana Lockward, Freies Museum, Berlin, Germany 2009.
Hair Auction, in collaboration with curator Alana Lockward, Freies Museum, Berlin, Germany 2009.
Tree on Lake Texcoco, PUIMEX “Plataforma de Intervención Urbana”, Museo de la Ciudad de México, Mexico 2008.
Lake Texcoco SITE U-BOOT MEXICO, Ocean Heart Project in collaboration with Artist Peter Fend, London, UK 2007.
Peripheral Landscapes, Mexico City Basin, Artist Peter Fend, Landschaft für Kunst, Hamburg, Germany 2007.
Kunsthalle Berlin-Lichtenberg, Dorothee Albrecht and Ludwig Seyfarth, Berlin, Germany 2007.
Polvo Azúl / Blue Dust Void, Frederik Janka, Espacio Central, Santa Barbara, California 2007.
Cartographies with Christian Boltanski, Video & Sound Installation, Institute of Culture Margarita, Venezuela 2007.
Tijuana Girl Crossing, Feminism & Borders, 5mm film, Frederik Janka & Nina Menocal, El Particular, Mexico City 2007.
Still Water Rising, Sculpture & Video Installation, JUMEX Foundation & Estacionarte, MACO Art Fair, Mexico City 2006.
Other Dimensions on Abstraction, Gallery One Twenty-Eight, Roberts & Tilton, The Bowery, New York 2005.
It’s Not Rocket Science, California Biennale, Oakland & San Francisco, California 2005.
Texas Street Pavilion, Peter Kirkeby Gallery, Kay Harvey and Gregory Edwards, California Biennale, San Francisco 2005.
MURMULLO, Artists Prints & Editions, Invitation by Artist Lynda Benglis, MUCA Gallery, New Zealand 2002 – 2004.
Duct & Cover, Diane Karp, Santa Fe, Santa Fe Art Institute SAFI, New Mexico 2003.
Rescue 9/11, Círculos en Tierra Firme, New York Artist Studios, Santa Fe Art Institute SAFI, Santa Fe, New Mexico 2003.
DUMBO Arts Center, Installation, Wakas Wajahat & Joy Glidden, Brooklyn, New York 1999.
Brave New World, Drawing & Collage, Biblioteca Vasconcelos, Ciudad de México 2020.
Macro Biologías, Maíz / Panorámicas / Xochimilco, Urbanism & Landscape, Museo de la Ciudad de México, 2021.
Structure Paintings, Salón C-entro, Fundación Centro Histórico, Mexico City 2012.
Architectural Boundaries, Sculpture, Architecture & Photography, MANADA, Mexico City 2011.
Paisaje y Abstracción, Nadie es Perfecto, Del Maguey – Casa Antigua, Oaxaca City, Mexico 2011.
Color of Skin, Video & Sound Installation, Salón C-entro Project Space, Fundación Centro Histórico, Mexico City 2010.
SWEET SUGAR, Museo Experimental el Eco, Universidad Autónoma de México UNAM, Mexico City 2009.
Lake TEXCOCO, Site Specific & Urban Intervention, Jumex Foundation & Museo de la Ciudad de México, Mexico 2008.
Hidalgo Project, Sculpture & Video, Single Artist Feature, Liane Nouri, Architecture for Art, New York 2007.
Peripheral Landscapes – Bordering, Der Ester Stock & Marianne Wagner, Berlin, Germany 2006.
Green Scape-Blind Spot, Video & Sculpture Installation, Sol Henaro, Celda Contemporánea UCSJ, Mexico 2006.
Moving Sculpture and Fire Works, Structures & Landscape / Hidalgo Project, Fundación Centro Histórico, Mexico 2005.
Animas Negras Exhibition, Francisco Toledo, Graphic Arts Institute IAGO, Oaxaca City, Mexico 2003.
Círculos en Tierra Firme, Printmaking Santa Fe Art College and SAFI Santa Fe Art Institute, New Mexico 2003.
Drawing & Printmaking Exhibition, Alianza Francesa, Oaxaca City, Mexico 2002.
MUNA, Wall Drawing and Sculpture Installation, Wakas Wajahat & Joy Glidden, DUMBO Arts Center, Brooklyn, NY 2000.
IZCAIN, Robert Smithson in the work of Katya Gardea Browne and Contemporary Ruins, Michelle Blancsube, 2017.
Artist Interview, L´Officiel Mexico, Women Artists, Rigo Campuzano, October Issue, 2016.
Berlin Water Light, Bordering & Moving Peripheries, Alejando Sordo Guzmán, Mexico 2016.
Painting, Water Ways & Video in Conversation with Monet, Substantial Influence, L. Seyfarth, BAYER Foundation, 2015.
Tijuana Girl Crossing, Text on Art and The Moving Image, Feminist Film and Video, Regine Rapp, Berlin 2014.
Ruinen Der Gegenwart, Exhibition Catalog, KAI10/ ARTHENA Foundation & KERBER Editorial, Germany 2017.
Visual Transcription of Aldous Huxley´s Novel, A Brave New World, Editorial MIRLO, Mexico City 2018.
TEXT no.13, “Critique” Andreas Van Duren, Revolver Publishing, December Issue, Germany 2016.
YALE RADIO, Programmed Interview by Brainard Carey, New York 2016.
Revista de Difusión 118-119, Facultad de Ciencias de la UNAM, Mexico City 2016.
Art and the Biological Sublime in the 21st Century, ‘[macro]biologies & [micro]biologies’, Art Laboratory Berlin, Germany 2015.
Textbook “Educación Sexual para Adolescentes”, Sexual Education for Public Schools, Contributor, Fundación México Vivo,
Secretaría de Salud y Facultad de Sociología SEP, Gobierno de la Ciudad de Mexico, Mexico City 2015.
Angel City, Contributor for Publication, Fundación México Vivo and Museo de Arte Moderno MAM, Mexico City 2014 – 2015.
A Cinematic Archeology of the Biosphere p. 12, Publication Text, Regine Rapp, Art Laboratory Berlin, Germany 2014.
ARTEIDOLIA, Art Magazine, Interview and Artist Feature / Brooklyn Rail Postings, Spring Issue, Brooklyn, N.Y. 2014.
Art Critic Reviews, Artist Interview with German Art Critic Ludwig Seyfarth, The Brooklyn Rail, May Issue, Brooklyn, N.Y. 2014.
Xochimilco Project, “Dossier de los Sentidos” Interview & Artist Feature, Revista D´Arte, May Issue, Mexico City 2014.
Tijuana Girl Crossing & The Moving Image, “Text on Art and Feminist Video”, Regine Rapp, Berlin, Germany 2013.
The Unbearable Big Book of Sex, Contributor for Literature and Art, Yuko Otomo and Steve Delancy, New York 2011.
Peeping-Tom Berlin 1st Issue, Caroline Niemant, Paris, 2009 / Contribution Peeping-Tom Mexico Issue, 2010.
Art Forum International Magazine, Sweet Sugar Exhibition, Museo Experimental El Eco, September 2009.
TV Interview & Artist Feature, Museo Experimental el Eco, Canal 22 Cultural/UNAM, Mexico City 2009.
TELUS Radio, Single Artist Feature, Interview and monothematic episode, Radio IBERO, August, Mexico City 2009.
La Tempestad No. 68, Exhibition Review by Art Critic Juan Carlos Reyna, Mexico City 2009.
Newspaper “La Jornada”, Exhibition Review and Artist Interview, Mary Mac. Masters, August 2009.
Newspaper “The News”, Exhibition Review and Artist Feature, by Maria Gallucci, August 2009.
Tribes Magazine, Issue No.12, Text by Yuko Otomo, A Gathering of Tribes & Steve Cannon, New York, 2008.
Tree on Lake TEXCOCO, PUIMEX “Plataforma de Intervención Urbana”, Celeste Magazine, December Issue, 2007.
Hidalgo Project, Video & Moving Sculpture, Liane Nouri, Architecture for Art, Museums and Editions, New York 2007.
Debris, Interview on Ephemeral Structures & Interventions in the Landscape, Sánchez Blass, RIM Magazine, Mexico 2006.
TV Interview, Canal 22 Cultural/UNAM, Universidad del Claustro de Sor Juana UCSJ, Mexico City 2006.
Publication La Gloria on Mexican Painters, edited by Artist Boris Viskin and Ernesto Zeivi, Mexico City 2004.
Radio Interview “Animas Negras”, Instituto Manuel Álvarez Bravo, Oaxaca City, Mexico 2002.
Newspaper Interview on 9/11 in the context of the Exhibition, “Animas Negras”, El Imparcial, Oaxaca City, Mexico, 2002.
Visual Artist Feature, Architecture Magazine ARCO, Mexico City 2001.
Chance, Observation and Poetics of the Personal, Curatorial Project on Mexican Video Artists,
Video Film Festival, Garzoni, Venice Italy, November 2015.
ARTEMOVENDO Mexican Video Artists, Videonale of Porto Allege & Goethe Institute of Sao Paulo, Brazil 2015.
URBAN Video Screening in Public Space, International Artist Selection – Salón C-entro, Centro Histórico, Mexico City 2008.
WOLF Project, Traveling Exhibition, Salon C-entro, International Artists & Project Space, Mexico City / New York / Berlin 2008.
City Bitch and Travel, “Perras de Ciudad”, Salón C-entro Project Space & Pasagüero, Centro Histórico, Mexico City 2006.
Boys Meet Girls, Salón C-entro, International Artists & Project Space, Fundación Centro Histórico, Mexico City 2005.
Digital Art Archive, BLINK Video, Sökeland & Anita Beckers, Hamburg, Germany 2015 – 20017.
Registry & Artist Archives, JUMEX Foundation, Ecatepec de Morelos, Mexico 2006 – 2017.
Digital Archive & Video, “Taller de Medios Multiples”, Escuela Nacional de Artes Plásticas ENAP/UNAM, Mexico City 2011.
Artist Archive / Feminist Sculpture, Sweet Sugar Exhibition, Museo Experimental el Eco, Mexico City 2010.
ARKEDIA, Príamo Lozada Digital Archive, Laboratorio Arte Alameda LAA, Mexico City 2006 – 2019.
Film & Video Archive, El Pochote, Francisco Toledo, Instituto de Artes Gráficas de Oaxaca IAGO, Oaxaca, Mexico 2004 -15.
MUCA Museum & Gallery, Edition Prints, International Artists Archive, New Zealand 2004.
SAAS FEE, Residency Summer Institute for Contemporary Art in Berlin, Germany 2017.
Part of the “Worldwide Association of Notable Alumni” WANA, since 2016
